| Exhibition |
Jiang Peng
When
the Cultural Revolution (1967 – 1976) swept across China, Jiang Peng was a
little boy; his experience was totally different from that of adults. Artists of
Jiang’s generation are nostalgic, constantly looking back with complex
emotions toward their childhood, and youth. Sometimes they seem narcissistic, or
self-pitying, but most of the time they ridicule the world and history or sneer
at themselves with some sadness. The happiness and joys of their childhood are
enveloped in the absurdity of the “Revolution.”
Jiang Peng’s bugs are big, memories of the fun and happy times of his childhood, but you can be sure they all died, whether good or bad - mostly the good - killed by the little people who wore the red scarf with a toy gun or knife or sword, the Young Pioneers (an organization before the Little Red Guards).
Jiang’s
world is beautiful and absurd at same time, a world of bright colors - orange,
blue, green yellow – which is both naïve and fun. The dead bugs - larger than life ladybugs, bees,
caterpillars, worms - indicate not just life’s mystery and happiness, but also
life’s inevitability and cruelty. His little people are strange; their faces,
seemingly old and serious, are still those of children. Through innocence mixed
with cruel killings, he reveals the twistedness of human nature.
Perish Pests No.2 oil on canvas 170 x 150cm |
Perish Pests No. 3 oil on canvas 170 x 150cm |
Perish Pests No. 6 oil on canvas 170 x 150cm
|
send e-mail or call 508- 375- 0428 |
| Exhibition |